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Torn
Curtain - Scotty's Jazz & Cigars
Saturday, February 15th

For
the first time since last summer, the wonderful Torn
Curtain treated Erie music fans to a rare show and
to a taste of the surreal, all within the cozy confines
of Scotty’s Cigar Bar. Cigar smoke filled the air
and martinis were the drink of choice as the wonderful
duo (and sometimes trio…more on that later) meandered
dreamily through a set of moody pop.
The haze and din of conversation in the packed bar made for the perfect
setting for Torn Curtain. If you missed Torn Curtain this time, shame
on you, cause it could be months before you see them again, or if you
haven’t experienced them before, think about your favorite David
Lynch film, now put a house band in it and voila, there’s Torn
Curtain.
Singer Alethea Bodine, one of the strongest front persons in Erie, absolutely
captivated the audience with her lush, soulful voice, her theatrical
and trance like movements gliding from the comical to the tragic, and
grace and elegance. She not only commands the audience’s attention,
but also beguiles them; no more like captures them for a trippy journey
to both happy and dark places. Try to take your eyes off her while they
perform!
The music, centered around strange industrial loops, that sound like
metal on metal or raspy machinery, and Rick Dibello’s tasteful
minimalist approach to the guitar make for the perfect backdrop. It is
refreshing to see a guitar player use minimal effects (no distortion)
and still cut through with such authority. Bass player extraordinaire
Rob Vance (of many Erie projects), joined Torn Curtain for about a third
of each of their three sets, and sampled bass lines make up the rest.
Highlights of the set included an absolutely brilliant interpretation
of Thelonius Monk’s Round Midnight, the showstopper, Time (Tom
Waits), and originals Heavens Keys and Get Closer. This is one of the
rare bands that it seems no matter what song they are playing (covers
range from the Pretenders to ABC-yes the 80’s band-to jazz standards)
it sounds like Torn Curtain are not far from the almighty Portishead
(amen), Torn Curtain has mastered the art of meandering, dreamy, electronic
pop.
So Torn Curtain, how bout’ a new CD and some more shows?-
photo by Kate McDevitt, review by John Johnston.
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East
Avenue - Docksider
Saturday, February 15th

East
Avenue played their first show after a self-proclaimed "holiday
hiatus". Guitarist/vocalist Pat Vahey said the
band was excited to play after the time off and it
showed... East Avenue turned in a powerful performance
tonight.
Newly incorporated into the lineup were a set of congas which Pat's sister,
Elly Vahey, used to great effect throughout the evening. An example of
this would be the jamming, groove based instrumental piece "The
Awakening". Perhaps this song title hints at the band's evolution
which features them stretching out into new, uncharted territory.
In the midst of this new music guitarist Bill Chrisman offered up solo
after solo of tasteful and emotional leads. Although Pat Vahey takes
more of a rhythm approach he also is no slouch in the lead department.
During a poignant cover version of the song "War" Pat pumped
out a searing and powerful solo. Holding the bottom end down through
all of this was the solid, grooving combination of Doug Russell on bass
and Tom Kitchen on drums.
Of
course the focal point of the band is the dynamic Elly
Vahey, who possess a wonderful balance of soft haunting
tones as well as a soulful, powerful delivery with just
the right amount of grit. East Avenue performed a beautiful
version of "Delirious" with the full band.
This tune will be appearing as an acoustic version on
the soon to be released PlayErie.com Compilation CD One.
You can listen to Delirious on East Avenue's page at
the link above.
Opening tonight for East Avenue was Edinboro's Zomo,
who are one of the harder working bands in the area. They seem to be
playing everywhere, and are continuing work on their upcoming debut CD.
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The
Studebakers - TK's Tavern
Saturday, February 15th

The
Studebakers played to a standing room only crowd at TK's
Tavern in Harborcreek Saturday night. Describing themselves
as a Rock 'n Roll tribute band the Studebakers play all
of the classics from The Monkees "(I'm not you're)
Steppin Stone, to Magic Carpet Ride by Steppenwolf, to
Louie Louie by the Kingsmen.
Lest you think that these guys are just another oldies band, think again.
Front man Joey Glassman comes from a background of punk rock (hanging
out with the likes of The Ramones) and brings the look and the energy
of that genre to this band. He captivates the audience with his off the
wall antics and stage presence, but with a completely professional manner.
Backing up Glassman are some of Erie's most seasoned professionals. On
lead guitar is Henry T. who has played with The Graduates, Younger Brothers,
and the City Slicker band among others. Also in the band are former Graduates
John Carroll on keys and Gary the Mod on drums. These three musicians
have been playing songs like these since the WJET 1400 AM days.
Johnny Pelinsky rounds out the band having played in Finn and Character
(with Robin Burick).
If you want to go out and forget about your daily troubles, don't miss
this band. P.S. don't forget your dancin' shoes! -
photo and review by Gary Tomporowski
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Anything
But Chester - Sherlock's
Wednesday, February 12th
Our
sincere apologies to Anything But Chester... due to furnace
trouble at PlayErie central, coupled with rapidly dropping
temperatures, we found ourselves in the basement fixing
a blower motor while the band played their set. When
we finally arrived at the show we spoke with several
people who told us that Anything but Chester was excellent.
Paper
Street - Sherlock's
Wednesday, February 12th

After
a rather lengthy set up Paper
Street took the stage. This band rocks hard featuring
a lead vocalist with a very powerful voice. Paper Street
played several originals from their new release, with
most being straight ahead, no frills rockers. These guys
used the opportunity in front of large crowd to toss
Paper Street CDs and T-shirts into the audience. It's
a marketing strategy that works for Budweiser, so why
not apply it to band merchandise as well.
Super
No. 7 - Sherlock's
Wednesday, February 12th

Super
No. 7 set up quickly and then left the stage, leaving
the audience to ponder the the drum kit bathed in soft
red light. This tactic helped to raise the audience's
anticipation of the band's performance. When Super
No. 7 hit the stage they came on strong and never let
up. Front man Keith Hayes has an intense stage presence
with lots of odd movements and gestures. It seemed
the band brought many of their fans along, as the audience
reaction was extremely enthusiastic.
The standings after week 4 of Battle of the Bands are:
1st
Place - Ded
Loft
2nd - Ron Yarosz
3rd - Super no. 7
So,
after week 4, Ded Loft remains on top with the highest
score so far, Ron Yarosz holds on to 2nd place and Super
no. 7 moves into 3rd place overall after last night's
show
PlayErie.com will be continuing to cover this event each Wednesday for
the next two weeks as well as the Finals on March 5th.
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Gravity
Hill - Scorchers
Saturday, February 8th

After
over three years on the local music scene, Gravity
Hill played their final show tonight at Scorchers.
The band featured Kevin Hultberg on lead vocals & guitar,
Rich Grisier on lead guitar & vocals, Dennis Hultberg
on bass & vocals and Chris Rodler on drums.
One of band's specialties was classic 80's new wave. Tonight we heard
tunes by The Fixx, A Flock Of Seagulls, The Cars, Gary Numan and The
Romantics among others. Gravity Hill pulled off their repertoire with
exceptional accuracy. The musical parts as well as the sounds were authentic.
Rich Grisier has an uncanny control of his guitar rig and manages to
pull all manner of keyboard sounds out of the instrument. The impressive
part is that he does so without the aid of a guitar synth or midi...
it is all done with a standard guitar, an amp and an arsenal of pedals.
PlayErie spoke with the band on a break and learned that Rich Grisier
and Dennis Hultberg will be joining forces with Jim Watkins and Terry
Wood from Chunk to form a new group known as the Mulletones. Watch our
calendar for upcoming shows.
Kevin Hultberg plans to focus his musical energies on songwriting in
his personal studio. Apparently he has an album's worth of material ready
to be recorded. We will keep you posted as to when his CD will be available
to the public.
Meanwhile, Chris Rodler will be continuing to release music on his Progressive
Music Management (PMM) label. In the works is a debut release from MythoLogic
with Chris on bass along with Brett Rodler on drums, Melissa Blair on
vocals and Steve Matusik on guitar. Chris is also working on a new Gratto CD
as well as re-releasing the first two Leger
de Main albums, which are being remixed and remastered.
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Ron
Yarosz - Sherlock's
Wednesday, February 5th

Ron
Yarosz and his band turned a seeming disadvantage
into an advantage tonight at the third week of the
Battle of the Bands. Being the "opener" of
the evening is usually not desired, but without the
time constraints of following another band Ron was
able to drape colorful, earthy material all around
the stage. This simple act, along with the stage being
hidden until show time with Sherlock's large video
screen, transformed the stage into Ron's personal world.
The band played extremely well tonight, the best that I have heard them.
An added surprise occurred when Ron incorporated two female vocalists
on a couple of tunes.
Dirt
Farmer - Sherlock's
Wednesday, February 5th

Arriving
on stage in the number two slot tonight were Dirt Farmer.
This band rocks hard with dual guitarists both on Les
Pauls, both playing rhythm or lead as needed. The guitarists
as well as the bass player all sing, and some of Dirt
Farmer's songs feature three-part vocals.
Stylistically the band at times reminded me of Nirvana, at other times
of Black Sabbath and during a slower piece there was an implied Spanish
flavor.
General
Noreaga - Sherlock's
Wednesday, February 5th

Before
General Noreaga took the stage the audience was instructed
not to bring any beer bottles near the stage. This was
announced several times, giving the impression that this
band might incite the crowd to riot. When the band first
appeared on stage the most noticeable thing was the guitarist
and vocalist: both were sporting skinheads, bare backs,
and an assortment of tattoos. Ah yes, we know what this
band is all about... or do we?
Scanning the stage a bit more revealed the bass player and drummer looking
basically grunge. And who's that? ...it's a female background vocalist.
Very interesting.
Once the band began to play, their unique style became apparent. They
do have a hardcore edge to them, but their style placed more emphasis
on technical proficiency. For example the guitarist wailed through burning
solos with great tone and interesting effects. The lead vocalist sang
in a more standard, pitched fashion than the usual white noise, rip-your-throat-out
style of the typical hardcore band. And as mentioned above, some of the
songs utilized the female singer harmonizing with the lead vocalist.
Rounding things out was a powerful rhythm section that incorporated several
clever twists and turns.
The standings after week 3 of Battle of the Bands are:
1st
Place - Ded Loft
2nd - Ron Yarosz
3rd - Craw
The
contest is scored on an overall point system so there
won't be a weekly winner but rather bands trying to score
high enough to get in the top 3 spots and make it to
the finals. So, after week 3, Ded Loft remains on top
with the highest score so far, Ron Yarosz moves into
second after last night's show and Crawl slides to 3rd
place overall
PlayErie.com
will be continuing to cover this event each Wednesday
for the next five weeks as well as the Finals on March
5th.
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JD & the
Sons Of Rhythm - Forward Hall
Friday, January 31st

Once
again JD Hopkins commandeered Forward Hall to bring spontaneous
improvised music to the Erie area. Operating under the
heading of JD & the
Sons of Rhythm, Hopkins and sons Ricky & Jason
form a foundation of acoustic drums and electronic percussion.
Over this is a unique and ever changing collection of
many of Erie's finest players. Tonight the band blossomed
into a nine piece unit featuring four percussionists,
two bass players and three guitarists.
The all star line up this evening consisted of JD and Jayson Hopkins
on electronic percussion, Ricky Hopkins on acoustic drums, Joel Polacci
on congas, Tony Stefanelli and Ken Cornelius on bass and guitarists Scott
Cravener, Frank Singer and Mike
Ohm. Ricky Hopkins and Polacci also play in Mambo,
Jayson Hopkins works with Skudd,
Stefanelli and Singer play in Cat's
A Bear, Cravener and Cornelius are in Starfish and Ohm works with Potato
Battery. OK... now that we are straight on who's who lets get down
to the music.
We spoke with Mike Ohm during a break and he confirmed that the music
was totally improvised (except for one case where the theme from "Barney
Miller" was used as a launch pad for an extended improvisation).
Ohm said that the only thing decided in advance was what key or mode
a particular piece was in. Throughout the evening one could watch the
musicians making changes to the pieces via gestures, eye contact and
also by simply walking over and talking to one another while in the midst
of playing.
It is a rare treat to see these players in a purely improvised setting
working with extended pieces. Actually, extended is an understatement
- most of the sets this evening consisted of two or even one "song".
Of course with this kind of chance taking there are times when things
aren't gelling, or fall into a lull. However, the flip side is that at
other times both the band and the audience get to experience something
brilliant, some true creativity. Music is always waiting just outside
the door for a musician, but the trick is to figure out how to open the
door and let Music in. To quote Robert Fripp "when we know what
we are doing, we do what we know." Many times tonight the musicians
did not know what they were doing, and therefore in not playing by rote
they were actually able to open the door and let Music enter.
Each player had a good deal of brilliant moments and all of the guitarists
and bassists took several outstanding solos. Meanwhile, the approach
of the four percussionists was to simply lay down the groove, which was
non-stop and very dense. With this backdrop the other five musicians
were quite free to roam around musically.
Of particular interest was the line up of two bassists. (About the only
other application of this that comes to mind would be one of Frank Zappa's
bands.) Both Stefanelli and Cornelius are top notch players and the combination
of Tony's fretless Alembic bass and Ken's venerable Fender made for a
beautiful blend. Because of both player's sense of space the dual bass
idea worked well, were lesser players might have turned things to mud.
The only disappointment was the small attendance of listeners. It is
sad that such an array of dazzling talent, performing in a club as technically
and aesthetically pleasing as Forward Hall can not attract more of an
audience. It would seem that even if the crowd was mostly made up of
other musicians, surely more people would have been present than were
here tonight.
Erie has the talent, it has the venues and it has the potential. Apparently
it does not yet have the local support that it needs to truly become
a music city.
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Organic
Voodoo Machine - Sherlock's
Wednesday, January 29th
They
started off the night with their brand of funk/jam/hard
rock and had the whole entire crowd rocking and dancing.
The place was packed from the start and OVM, who rival
the mighty Human
Being Lawnmower in cool band names didn’t disappoint.
Their music is marked by supreme musicianship and funky
grooves, although they seemed heavier then previous times
I have seen them…possibly Sherlock’s brain
rattling sound system? - review by
John Johnston
Warrior
Frenzy - Sherlock's
Wednesday, January 29th

Hailing
from a distant land, Warrior
Frenzy dress the part with Viking horns, battle-axes,
faux animal skins, shoulder pads (?), and cardboard castles.
While the dress is GWAR (albeit on a tiny budget), the
music Iron Maiden, the attitude is all Spinal Tap. I
mean who wouldn’t like these cats. The tongue-in-cheek,
approach to their image, all while paying homage to cheese
metal of the 80’s (no Nickelback or Jimmy Eat World
are not an influence…thank god!) make them a fun
band and the music isn’t so bad either.
If it was 1989, this would have been terrible, but in 2003 it has a cool,
almost retro feel to it…kind of like seeing a great 60’s
garage band or a 70’s psychedelic type of thing. Well maybe not…but
it’s funny and enjoyable. Besides, these guys are heroes, protecting
their village (Erie I imagine) from evil invaders who want to steal our
woman and drink our ale…maybe they should write our war-mongering
President about true homeland security! - photo & review
by John Johnston
Crawl
- Sherlock's
Wednesday, January 29th

Crawl
delivered the goods. Thunderous bass, pounding, breakneck
rhythms, lightening quick leads, throaty vocals and classic
posturing all while playing as tight as the pair of jeans
on that gal who used to sit next to you in chemistry
class…(oh, this isn’t Penthouse forum). Simply
put, they are as good as any thrash metal band out there
today and while the cards may never fall and deliver
them fame and fortune, I say metalheads, punkers, yuppies,
freaks and hippies enjoy them while they are still Erie’s
own! - photo & review by John
Johnston
The standings after week 2 of Battle of the Bands are:
1st
Place - Ded Loft
2nd - Crawl
3rd - Occam's Razor
The
contest is scored on an overall point system so there
won't be a weekly winner but rather bands trying to score
high enough to get in the top 3 spots and make it to
the finals. So, after this week, Ded Loft remains on
top with the highest score so far, Crawl moves into second
after last night's performance and Occam's Razor hangs
onto third place.
PlayErie.com
will be continuing to cover this event each Wednesday
for the next five weeks as well as the Finals on March
5th.
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