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Ron
Yarosz & the Vehicle - Docksider
Saturday, January 3rd

Ron
Yarosz and the Vehicle definitely had their mojo
working tonight, with Scott Cravener and Roger Montgomery
on guitars, and the rhythm section of Ron Sutton, drums,
and Jason Wilber on bass.
Ron & Jason play in the acclaimed Bernard Allison Band, this dynamic
duo have been playing together for over 15 years and it shows.
The first time I heard them play together was in a band called Playground,
I knew then these cat's had something special between them, it amazes
me they have gone from playing heavy rock originals to playing funky
killer blues with world renowned Bernard Allison. Home town boys who
have not forgot their roots in Erie, whenever their in town their either
playing or recording with somebody, After a much deserved holiday break
with family, the dynamic duo is heading out next week, for a 3 week tour of
Germany 21 gig's in 23 day's. Then they'll return for some
national gig's for a month then fly back to Europe for another 2 month
tour!! They have a huge fan base in Europe, this will be the duo's 8th
tour over there and it's not uncommon to be playing in front of 50,000
people, as they said, "what a rush"!!
They're also planning to be on the next cd from Ron Yarosz, his follow
up to the cd the Vehicle, which by far was one of the best local cd's
ever!!!
The show last night was great, Scotty & Roger were the other dynamic
duo, switching of on rhythm and leads their energy was felt throughout
the club, and the dance floor. As far as Yarosz what can I say... great
showmanship, great harp, his famous B3 and great songs!!! -
photo & review by Gary Tomporowski
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Mo
Rebo - Forward Hall
Saturday, October 18th

PlayErie
was at Forward Hall Saturday night, where Enviro-Palooza
featuring Mo
Rebo was taking place. This event was held in part
by the Erie County Environmental Coalition, to raise
awareness of environmental issues in our local area.
This was a free event, and by the size of the crowd I
would have to say, was a success.
Mo Rebo had the place shucking and jiving to their infectious groove's,
it was hard to stand still long enough to take a shot of this band!!
This 8 piece percussive driven band has so many musical influences
it's hard to classify their sound. From Middle Eastern, Afro-Cuban, Latin,
jazz, and a touch of Bluegrass, it defenetly is a sound all it's own.
I personally feel Joel Polacci on congas, is one of the best player's
in town, along with his down to earth attitude make's the vibe of the
band a real pleasure. Along with Joel on congas the band also features
Chris Polacci on vocals, Wayn Fambrough on percussion & vocals, Kevin
McCleary on sax, Dan Gross on drums, Kurt Unger on guitar & percussion,
Tim Blumish guitar and sitting in on bass for Doug Russell "aka-
East Avenue fame" was Mambo's own, Ralph Rettinger. -
photo & review by Gary Tomporowski
East
Avenue - The Docksider
Saturday, October 18th

East
Avenue was at the Docksider Saturday night with
the New House sound man Trevor at the helm. This guy
has a good touch, making the sexy, sultry voice of
the ever so attractive lead vocalist, Eli Vahey stand
out ever so sweet! With a great band to sweeten up
the pot, with brother Pat on guitar Doug Russell on
bass & the multi talented Boyd Baker also on guitar, "sorry
I didn't get the drummer's name" but, their blend
of originals and a few covers was a good mix. But don't
be fooled they can also rock out as was evident by
the crowd on the dance floor!! -
photo & review by Gary Tomporowski
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The
new all ages venue "The Underground" seems to
be just what the doctor ordered for Erie’s punk music
scene. The energy the fans brought to the Monday night
show featuring Erie’s working class rockers The Tradesmen,
Erie’s own The Coffin Bangers, and South Carolina’s
The Independents was to say the least, intense. The fans
in Erie were ready to rock out and rock out they did.
The Underground located in the former One Way Inn building on Peach Street
is on the small side but it has just enough room for a good time and
a good show. Plus it’s nice to have an all age’s venue free
of Christian overtones (not necessarily a bad thing, but there’s
a degree of censorship at those venues). The sound system was awesome
and the atmosphere was energetic so it’s a great venue for shows
like this. Also, dancing is permitted and encouraged which adds to the
fun.
The
Tradesmen - The Underground
Monday, September 29th

The
show kicked off with Erie’s The Tradesmen. Their
oi-inspired working class street punk sound is fast,
powerful, and in your face. With former members of The
Bastard Brigade, The Tradesmen have found new direction
in their music and pound it out with stunning craftsmanship
and sensibility. Their songs are poignant and direct
and their messages are clear. If one word could sum up
the band it would be pride. They have pride for themselves,
this country, and for the local music scene.
Their lyrics are about brotherhood, respect, and not taking any crap
from anyone. They sing about freedom and the price our soldiers must
pay to give us this freedom. They sing about holding your ground and
never giving up. They tell us to keep up the good fight so that we’ll
never lose our battles. This is stark contrast from what today’s
MTV punk portrays. Blink 182 and other "boy band punk" bands
may bring in the big bucks but they’ll never have heart and soul
that The Tradesmen put in there music.
Each of the band's four members have deep rooted passion for what they
are playing and it pours out through their live performance. The young
people at Mondays show learned a lot about the power of punk music that
the big money making bands could never teach. Also, they learned you
don’t have to hate America to be punk and not all punk is about
anarchy, getting grounded or losing your girlfriend. The band delivered
a power packed punch of sonic intensity that’s always unforgettable.
The moshing was heavy, the fists were pumping and the energy was unabashed.
The Tradesmen smashed through their originals with fury and talent that’s
not often seen nowadays. They had the crowd shouting their choruses and
screeching the oi oi’s and whoa hoes this music is known for. This,
matched with the blistering guitars and pounding drums and bass and raspy
powerful vocals that The Tradesmen possess, left the crowd in a frenzy
for more.
They played all the songs that can be heard on their website and demo
CD plus a couple Bastard Brigade songs for the older fans. Highlights
included ‘Smash’, ‘Soldier of Misfortune’, and ‘Erie’,
a song about love for our city. Intense.
If you get a chance to witness The Tradesmen live, take it because you
will be inspired and you will have a great time. The Tradesmen are TJ
Bastard (ex-Bastard Brigade) on vocals, Matt, on rhythm guitar, Jared
(ex Eternal Conflict) on lead guitar, and Tommy (ex-Killcifix) on drums.
Check them out at www.thetradesmen.tripod.com -
review by Alex Harrilla
The
Coffin Bangers - The Underground
Monday, September 29th

Next
up were Erie’s own The Coffin Bangers. The Coffin
Bangers, with former My 3 Scum founder Bob Kellogg II
on vocals and guitar, are quickly becoming a recognized
force in the punk realms of psychobilly, horror rock,
and rockabilly.
Picking up with a similar style where My 3 Scum left off Bob brings us
a new and improved sound. With originality that is seldom found nowadays
this trio of terror stomps out its spooky punk rock with intensity and
power. Conjuring up thoughts of bands like The Cramps, The Meteors, and
The Reverend Horten Heat, The Coffin Bangers combine fifties roots rockabilly
with hard driven punk for a witch’s brew of captivating music.
It’s a hard style of music to pin down to a genre but The Coffin
Bangers music is danceable and at the same time fist pounding, punishing
and mosh-able. They really can entertain just about anyone who’s
listening. A touch of surf, an ounce of roots rock, and a twist of punk
all combined with b movie themes that explodes into a burst of powerful
fun is what The Coffin Bangers are. It’s a style that must be seen
and heard to fully understand.
The Monday night crowd warmed up by The Tradesmen welcomed the Bangers
with open arms. Bob Kellogg II, dressed in top hat and tux complete with
string tie electrified them with his spooky Elvis style vocals and horrifying
howling laden with his speed induced version of Gene Vincent guitar work.
Darren O. moved them with bouncy bass lines and lightning fast fingering
that would be hard to match. Darren’s bass playing is really something
to witness. All of this stomped and hammered home with Dustin McAndrews
crashing, bashing, furious drumming and his growling backup vocals.
The Coffin Bangers gnawed through there set list of powerful originals
keeping the crowd mesmerized and dancing through every song. Highlights
included ‘The Wolfman’, ‘The Wild and Wicked Witch’,
and ‘Ogre’. They blew through these and others with awesome
accuracy and sheer intensity. Everyone enjoyed their performance and
was intoxicated by their stage presence. The finished their set with
a psychobilly psycho version of Motorheads ‘Ace of Spades’.
The Coffin Bangers truly do rock.
Check them out at www.eerierecords.com -
review by Alex Harrilla
The
Independents - The Underground
Monday, September 29th

Next
up was South Carolina’s The Independents. First,
take B movie themes and horror themes like The Coffin
Bangers do and make them a little more gruesome and gory,
then mix in old school ska like Operation Ivy or Madness,
a little new school like Sublime, then the speed and
deep brooding vocals of The Misfits, and occasionally
sprinkle in the pop sensibilities of the Ramones and
you have a brief description of what The Independents
do.
With so many influences and styles, they are very hard to pin down as
well, and really need to be experienced to fully understand. The best
thing to say is their music is incredibly original and really really
good. They had high energy, high speed, and high volume. They play with
a lot of passion, they involve the fans a lot, and infect the crowd into
a dancing frenzy. These qualities make for a great time and an entertaining
night. They brought a full battery of fog, lights, and a full onslaught
of energy.
Some highlights were their version of Glenn Danzig’s ‘Mother’,
which included a ska breakdown, and ‘Blitzkrieg Bop’ by the
Ramones. It was a real treat for The Independents to come to Erie. They
are a pretty major band to be part of this show and that speaks volumes
about their integrity.
The Independents were produced by the late great Joey Ramone and have
toured with the Ramones, The Misfits, Green Day and many others. It was
very special for them to play here. There is still a music scene in Erie
and there is still punk music alive in this country. Great shows like
this one just need to keep on happening and music fans need to give these
bands support so the scene can grow again. Great Show!
Check out The Independents at www.theindependents.net -
review by Alex Harrilla
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Mike
Ohm & Friends - Forward Hall
Friday, August 29th

Friday
marked the first of two consecutive nights that Forward
Hall patrons will be treated to the guitar work of Mike
Ohm. In the more intimate space of the Stage Right bar
area, Mike opened the evening with 90 minutes of solo
jazz guitar. Reminiscent of Johnny Smith & George
Van Eps, Mike played a number of jazz standards interspersed
with original compositions. His warm familiar jazz tone was
well-received by a modestly sized but appreciative
audience.
After a short break, Mike was joined by bassist Dave Blaetz and
drummer Matt Ferguson to form a classic jazz guitar trio. These three
musicians regularly perform as Potato Battery, with the addition of guitarist
Sheldon Peterson. In the trio format, all musicians were allowed
ample space for their own interpretations of the melody and structure
of the tunes. The resulting feel of the trio was more straight ahead
jazz than the fusion/progressive sound of Potato Battery.
As with Mike's solo work, the trio's ability to play original tunes and
breathe new life into standards makes these musicians a treat to
see on any given night. - photo & review by Karen
Williams
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The
Incomprehensible - Club Outcry
Friday, May 2nd

The
Incomprehensible kicked off a night of local music at
Harborcreek's all-ages venue - Club Outcry. This was
the first time that PlayErie visited the club, and we
found it to be an excellent space for music. With a large
stage, plenty of room for the audience, and a game room/lounge
in the front, Club Outcry has a lot to offer the under
21 crowd.
In the classic tradition of punk rock's roots The Incomprehensible sprinted
at top speed through short, high energy originals. The sound system was
minimal, being used mainly for vocals and a bit of kick drum. No problem,
because the approach used tonight was to simply crank up the amps and
rock... again pointing back to the roots of punk. It's not about technology,
it's about energy and venting emotion.
The Incomprehensible features Twig Django on vocals, Riff Kloss on guitar,
Chubs on bass and Ratt on drums.
Midnight
Jacks - Club Outcry
Friday, May 2nd

Next
up were the Midnight Jacks, with tonight's show being
their first "formal" gig. In contrast to the
opening band the Jacks were a bit more melodic and at
times they delved into sections of spacey jamming. Several
pieces seemed to draw influence from very early U2, which
is not a bad thing in my book. Frontman Bobby Doerr revealed
a commanding stage presence which helped to begin to
focus the crowd's attention for the remainder of the
evening. Joining Doerr in the Midnight Jacks are Jesse
Guerrein on guitar, Steven Crane on bass and Zack Oshlick
on drums.
Black Rose Diary - Club Outcry
Friday, May 2nd

Following
the Midnight Jacks were Black
Rose Diary, who are on a roll with a new CD release
and plenty of shows around the area lately. It was apparent
that these guys are definitely building a following in
northwestern PA. Taking the stage with no idea of a setlist
they opened with a new tune entitled "Operation
by Candlelight" (which was available at the show
on a 4 song EP). After that the band relied on the audience
to call out the songs from their CD release "Burned
Bridges and Broken Hearts"... and the audience knew
every song.
Josh, Jeff, Jon and Zac are riding a wave at the moment, and one wonders
what their next step will be. It was evident from the stampede to the
merch table after their performance that these guys are doing something
right.
The
Twirpentines - Club Outcry
Friday, May 2nd

The
Twirpentines continued in the vein of Black Rose
diary, a sort of polished rawness, or perhaps organized
chaos. They sound like they are on the edge, but they
know exactly what they are doing.
Vocalist/guitarist Fred Oakman has a very professional manner, both in
the performance of the music as well as in his communication with the
audience. With four releases under their belts The Twirpentines have
been honing their craft for some time, and it shows. The band members
were all over the stage, unstrapping their instruments and flailing them
while the music continued without hesitation.
The Twirpentines will be playing Black Rose Diary's 21+ CD release show
at the Beer Mug next Friday, May 9th. -
John Trevethan
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Blue
Fire - The Coffee Cup
Friday, April 11th

I
haven't seen Blue
Fire perform in a while, and I noticed immediately
that they are even more tight and polished than just
a month or two ago. Some new additions to their sound
include backing vocals from bassist Gus Ward and drummer
Derek Tomporowski, as well as guitarist Josh Karickhoff
incorporating keyboards and harmonica into the show.
The Coffee Cup is a new all ages venue and features a decent lighting
system and a large stage. The band brought their recently upgraded sound
system to the show and the audio was crisp and powerful. Blue Fire seems
suited for the bigger stages with full production, which for me was confirmed
when they played the Hangout in Edinboro a few months back. With a tried-and-true
power trio format Blue Fire likes to rock.
The show featured solo sections from each member of the band. Some say
that 10 minute drum solos are passe, and usually this is the case. However,
watching 14 year old Tomporowski improvising a spontaneous percussive
assault, one can't help but marvel that he is exceeding many players
twice his age. Ward used his solo space to slap, tap, slide and generally
coax all manner of noises from his bass. With influences like Jaco Pastorius
and Billy Sheehan, Gus is well on his way to becoming a formidable force
on the bass.
Near the end of the set Josh Karickhoff pulled out the stops with a few
tricks borrowed from the master, Jimi Hendrix. First Josh played his
solo interpretation of "The Star Spangled Banner" in the tradition
of Hendrix at Woodstock. With maximum distortion and feedback he wailed
through his version of the piece, without aping Hendrix note for note.
Later, when the band joined him, Karickhoff flung his guitar over his
head and continued to riff with full force. Sure, older members of the
audience might say that it has all been done before. However, it is promising
that a player this young even knows who Hendrix is. The fact that Blue
Fire desires to go back and discover where their art came from will probably
help them find their voice in the future. I am reminded of the Stones
or Clapton immersing themselves in the music of the old blues masters...
and that is not a bad model to follow. - John Trevethan
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